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This is true of mechanical, chemical, and biological forces.So, also, at every moment of the day I interfere with and counteract natural forces about me.For this reason miracles in Scripture are called "the finger of God " ( Exodus , Luke ), "the hand of the Lord " ( 1 Samuel 5:6 ), "the hand of our God " ( Ezra ). An event is above the course of nature and beyond its productive powers: In the latter case the effects must be ascribed to God, for He works in and through the instruments; "Ipso Deo in illis operante" (Augustine, "De Civit. Hence God works miracles through the instrumentality Hence the contention of some modern writers, that a miracle requires an immediate action of Divine power, is not true.In referring the miracle to God as its efficient cause the answer is given to the objection that the miracle is unnatural, i.e., an uncaused event without meaning or place in nature. Augustine speaks of the miracle as natural (De Civit. It is sufficient that the miracle be due to the intervention of God, and its nature is revealed by the utter lack of proportion between the effect and what are called means or instruments.The analysis of these terms therefore gives the nature and scope of the miracle.
This produces interferences and counteractions of forces.
I study the properties of natural forces with a view to obtain conscious control by intelligent counteractions of one force against another.
Intelligent counteraction marks progress in chemistry, in physics -- e.g., steam locomotion, aviation -- and in the prescriptions of the physician.
A miracle is said to be contrary to nature when the effect produced is contrary to the natural course of things.
The term miracle here implies the direct opposition of the effect actually produced to the natural causes at work, and its imperfect understanding has given rise to much confusion in modern thought. Hume says it is a "violation" or an "infraction", and many writers -- e.g., Martensen, Hodge, Baden-Powell, Theodore Parker -- use the term for miracles as a whole.
The miracle falls under the grasp of the senses, either in the work itself (e.g.